Showing posts with label HW. Show all posts
Showing posts with label HW. Show all posts

Tuesday, January 8, 2013

HW - Wall Papered Exit Wounds


HW – Wall Papered Exit Wounds

                Here it is, another day at this lame temp job and another sorry excuse for a review…

 Wall Papered Exit Wounds, released by HW (aka Josh, formerly known as Hazardous Waste, but not the punk band) of Boston in July 2012 is produced by MobRobb with cuts by DJ Emoh Bettah is a release that will stand of the test of time and be relevant to people (and not just ‘rap fan people’ everyone can find something in the release) because each of the song topics are something that all listeners are able to relate to regardless what age or social status they’re living in. From relationship troubles, to feeling like everywhere else on earth is better than where you are (This Old Town), to dealing with your own internal struggles, and more all of which are mentioned during the duration of this coming to age 8 track album by HW.

1.)    Memories of Linwood
The album starts off with an overtly personal song over a cool calm beat with a flow so smooth and subtle you almost don’t notice how depressing the track is. And even more depressing than the song topic is beating able to relate to it, from the breakup at the beginning of the track to being 25 and still feeling lost.

2.)    Blueprints to Your Inner Workings
Track two elaborates on the (presumably) breakup that was mentioned in the first track. From what I grasp the female the song is about is jaded, but HW refuses to let her give up on all the potential beauty in the world, and thinks that she can find again in the love they use to have. What a nice guy, I’d never do that, I’ll never be happy for any of my ex’s without me.
(I have no idea what I used this photo. Not that it isn't him, but it's a pretty bad representation of what he normally looks like)
3.)    Brutally Beautiful
Brutally Beautiful is a little me of the “emo-rap” that fans have grown to expect from HW. But as usual it’s done way to good (should I have used ‘well’ here?) to be slumped into that category. Josh is such a better lyricist than most other emcees that get labeled as “emo” it’s an insult to even put him in the same sub-genre as them, he’s more so a great story tell (even though the stories aren’t always true) than a winey heartbroken mc.
4.)    Hello Stranger
This is another incredibly personal story by HW. Even to the point where he mentions his muse, Mellissa by name. Perhaps Mellissa is to HW what Lucy Ford is to Atmosphere, only except I don’t think Lucy Ford is “her” real name, but I’m willing to bet Mellissa is. HW must have balls of steel to not only write this “emo-song” and not only share it with the person it’s written about, but everyone who listens to his cd! There are more awesome cuts on this track by Emoh.
5.)    Moving On feat. Sarah Lynn Bowler
The only feature on this rap cd isn’t by a rapper. This is another reason HW is appealing to more than just rap fans. Sarah Lynn Bowler sings the hook in ‘Moving On’ over a soft jazzy beat with relaxing bass lines, piano, and horns scattered here and there.
6.)    Faded Memories
If you’ve seen HW live chances are you’ve seen him perform this song.  Also, it’s funny to hear him make reference to “surviving on lunch meat” in this song now he’s a vegetarian. Supposedly this cd was done almost a year before it was released.
7.)    Insecurities
Not every rapper can do a song about not being promiscuous. In fact most cats rap about the exact opposite, boasting about humping out girls with no sentimental attachment at all. So hearing HW do a track like this is a total breathe of fresh air.
8.)    This Old Town
‘This Old Town’ is an ode to boring hometowns. In the song Josh realizes the importance in in recognizing your roots, and pays homage to Fall River in this track even though he resides in Boston (well Cambridge, but whatever) now.

 

Then buy it with the poster, and shirt.

Wow, I’m terrible at writing reviews.

Wednesday, January 2, 2013

Stillborn Identity/MC Homeless split cassette

It's about time I shamelessly promote myself. I(Stillborn Identity) did a hand numbered, limited run, split cassette with MC Homeless at the end of last year. Since the release, MC Homeless has "retired" but I still wanna keep this release in circulation because I think both sides are awesome. As far as I know this is the last release he did as "MC Homeless." I think there is a Brain Busters(MC Homeless and Joey Silva) release out there, and he started doing some non-hip hop project.

MC Homeless' side starts off with a track Imaginary Audience, a track by Brain Busters.

The second track is 66 featuring Me, Stillborn Identity. It's produced by C Money Burns. Homeless and I drive from Youngstown, OH to Austin, TX after he moved there and needed his car. I was super pumped to hang out in Austin, TX, but Homeless started a new job during the day and was gun-ho about hanging out with his at the time lady friend at night. So most of my time was spent trying to figure out how the bus line there worked only to instead walk 5 miles to a skate park, drinking Mad Dog20/20 by myself, and writing this track. Homeless had a half finished verse and polished it up in like 3 takes after I took over a half over to record my verse I had been working on all weekend. We're both kinda Vincent Gallo geeks and titling the track was never even a question after we put the quote from Buffalo 66 in there.

Breathe was originally released free online on his Wild At Heart ep produced by Johnny La Rock.

This fourth track on his side is almost to good to believe. MC Homeless toured with Illogic and Baker a year or two ago, and they had a day off in CT during their tour. During their day off they wrote and recorded this song with Ceschi.

My side starts off with Artist Wishlist produced by Pat Urn of 7718. I think I also wrote most of this song at Homeless' place in Texas. I didn't finish it until weeks later when I was in New Jersey "working" as a videographer on a freestyle motocross tour. That night one of the best FMX photographers (at least in my opinion), Chris Tedesco talked to me about what he had to do to "make it" in the industry. The only direct quote from that drunken hotel foyer conversation was, "just don't sell out, whatever that means to you." Ironically enough, I think that was my last weekend working on that tour.

Jack Wilson played me CREAM sometime in the beginning of the year when I was couch surfing in Baltimore and I was so pumped on his verse, and the beat by Visionary Brotherhood, that I demanded that he let me collab with him on it... and luckily he did.

I'm leading Me Down produced by Tybo Beats was the last track I wrote for the release. I thought it sounded like something HW would fit in with, so before I was finished with my second verse I sent him a text seeing if he was down, then emailed him a rough copy. Within hours(before I was finished with my second verse) he sent me his final version of the track.

Photo from left to right: Cathy Cathodic, HW, Stillborn Identity, Eric, Baker


Pitseleh's a Goner produced by JE Double F is my favorite track. I never knew that Pitseleh was Yiddish for "little one" but after I figured that out when I opened for Height with Friends at the 31st Street Pub it made the title even more fitting. Originally the titled was inspired by an Elliott Smith song. http://www.pghcitypaper.com/FFW/archives/2012/10/22/mp3-monday-stillborn-identity-pitselehs-a-goner

I wrote 1,000 Miles(produced by Zoen) away when I was living in Nevada and still in love with a girl in Pittsburgh. After I wrote this song and sent her the demo, I thought she would ask me to come back to her. But she didn't. She just said it was another really sad song I wrote, and asked what it was about.

Physical copies of the tape are available through this blog, Milled Pavement, Harford and Rekords, and whatever hard copies the artists have left.

MC Homeless
facebook
tumblr
twitter

Stillborn Identity
facebook
bandcamp
instagram @codycodyjones

Saturday, December 1, 2012

ESH the Monolith interview and free download.

     ESH the Monolith is an awesome rapper, and a cool dude I met a while ago when he toured through Pittsburgh. I decided to give his 10 inch, Invisible he did with DOX some shine for the millions upon millions of people that follow this blog, and to try and make the post slightly more interesting than a boring JPEG image I decided to email him a few questions that have little to do with his music, and nothing to do with this vinyl. Proofreading your blog is for total nerds, I'm just kind of a nerd, so here there interview complete with every grammar mistake, punctuation error, and type-o he or I have have mad.e


TheThrowAwayDays: I see you petting the cat pretty hard here, did you land this kick flip? (looks like it's gonna be a kick flip)
ESH the Monolith: This was an attempted kick flip and no I didn’t land it. I didn’t land a single trick that night on account of I suck at skateboarding and I am old. This was just me getting my Little Wayne on and trying to appeal to the kiddos. Drink Mountain Dew, kiddos.

T-TAD: When is the last time you really "skated" and why did you get out of it?
ESH: I think I quit skating when I was in high school. Around 1943 I believe. I wasn’t immediately good at it so I quit because I am lazy and I quit things that I am not immediately good at. I stick with the bike nowadays.

T-TAD: What kind of eccentric super hero sprains his ankle jumping off a car? You can't save anyone like that.
ESH: The worst super hero out, that’s who. I was so fucking drunk that night. I was drinking vodka out of pint glasses all night in Trenton, NJ. HW is a son of a bitch for posting such an un-superhero like video of the god.



T-TAD: How, when, and why did the super hero thing become a staple to go along side ESH?
ESH: It was around 1943 I think. I’ve always been into the idea of superheros who are really just fuck ups. Like, “Yeah I can fly and I’m really strong, but this blow habit is draining my pockets and my girlfriend is a bitch.”

Also, rappers have the tendency to elevate themselves to these untouchable super man like characters, so I decided to make myself the worst superhero out because that’s more accurate.

T-TAD: You got any good dirt on HW or Halo after touring with them? Or any rad stories from the road in general?
ESH: First of all, those dudes are great to tour with. I would tour with them again in a heartbeat.
That being said, here is some dirt on HW:
1. He has a Juggalo hatchet man tattoo on his shoulder.
2. That night I busted my shit jumping off Halo’s jeep, HW got beat up by Raymond Strife’s lady friend and cried and peed his pants and said he wanted to cancel tour and go home because of the bruises.

As for Halo, this isn’t really dirt, but dude was legally dead at one point and got brought back to life. He also has the uncanny ability to play a Gangstar song followed by a Misfits song followed by the I’m Barbie Girl in a Barbie World song and make it work. And has a stylish fur coat.


T-TAD: Why does it take you so long to put out music? According to your bandcamp you have a release in 2008 and 2011 and that's it, or do you have stuff out that's not on there?
ESH: In between those two projects I did a bunch of collaborations and produced joints for a bunch of people. I did a lot of work on my homie Romen Rok’s album “Absolutely” which came out in 2010.

I’m not making excuses. Most of it was due to being fucked up all the time and unfocused and messing with trashy birds. That isn’t the case any more. I’m much more motivated now. I have another project that’s coming out next month and a full length production album that’s almost done. I’ve mended my slacker ways.


T-TAD: What are your future rap plans?(tours, releases, publicity scandals, etc)
ESH: In December I’m releasing a new half an album over with my dude The Arcitype’s beats. It’s called Nightworks. Topics include: alcoholism in the werewolf community, LARPing, cubicles, being a small person, falling out of love with bridges, the episode of Punky Brewster where Cherry got locked in that refrigerator, and giving people dead arms. It’s a bunch of raps, mostly. It features Romen Rok, Fran-P, and Ceschi. My brother also plays guitar on it which I’m pretty hyped about. We are putting out a new video when it drops too.

Then sometime next year I’m releasing a project called Loop Minded Individuals, which is a compilation that is co-produced by me and Intrikit. We rap on it too, but not much. It features verses from too many people to mention (plus I’m still waiting on some people).

Hopefully I’ll be touring again in March, but I’m not sure yet. I’d like to get back out to Pittsburg soon and chill with your dog, who seems like a pretty chill dog.

After that I’m going to drive my car into the Grand Canyon.


If you give a fuck, we can be computer buddies here:

www.EcenticSuperHero.com
Twitter: @ESHtheMonolith
Facebook.com/ESHtheMonolith
Instagram: EshTakesPictures

free download

Tuesday, November 22, 2011

HW - A Years Worth Of Worry

'A Years Worth Of Worry,' Cambridge Massachusetts' HW was released in 2009. I've been fortunate enough to catch HW a few times over the years and each time I saw him perform or listened to his music I was blown back by his progression every time. Although this album is going on 3 years old the opening track Shithead(produced by Mac Lethal) still holds it's ground among his upcoming material. Check this dude out.

Free download of A Years Worth Of Worry
official site 
buy something off his bandcamp
facebook
twitter

Tuesday, March 29, 2011

HW, Jesse Dangerously, Shane Hall, Fortified Phonetx, Proseed, Stillborn Identity

 3-12-11 at Garfield Artworks. Please note HW was so modest he apologized for such a vain flier(while everyone else just complained about such an unreadable flier), then proceeded to kill it after showing up fashionably late(due to traffic not being a "rock star")to the show. However Jesse Dangerously showed no such modesty seeing as he had no qualms with taking his clothes off during his set, dead give away that he was Canadian. Shane Hall was the last of the touring acts to play leaving the crowd pleasantly pleased with his ability to rap as well as play guitar and sing. It was later revealed that Shane Hall is a long time affiliate of Strange Famous Records, and I was able to dig up a pretty flatter thread about his release, Basic Draining.
HW
Jesse Dangerously
Shane Hall
Proseed
Fortified PhonetX
Stillborn Identity
Here is some lofi proof that this show went down. Proseed killing it.