TheThrowAwayDays: You told me before when you were starting to working out the kinks in "Depth in Shallows" that you were going to do it right as far as promo went. What all does that entail and how has that worked out?
PROSEED: Well it's more than just putting it on a myspace page and blowing up peoples profiles up, man. I never really understood marketing, I never really understood that there was a distinction between exposure and retainment. I spent $2,900 on city paper ads back when I put out "Quintessential," and that's when I had website. I don't even think I had much of a mailing list, I may have had some sort of a mailing list program that came with my web-host, but I didn't know what the first thing I was doing with it. So right there is a big loss. With all that money I spent on a city paper ad, and number of unique visitors at that time, who are those people? I have no idea at this point. So to answer your question it's just really about understanding. After 10 years of performing in the city of Pittsburgh, I'm finally understanding the things I need to do as far as micro-marketing of getting your music out. I understand it at this point. Which is a shame because I've been doing this for 10 years now. But at the same time I feel like my music is quality now. I always had a confidence about what I was doing but I can look back at every album I've put out including "Broken Body Walkman Shop" and know the flaws, know the mistake I've made, but I don't feel that way about this album. I'm perfectly comfortable about this album, there's not a moment where I cringe, it sounds great. I'm happy with the content, I'm proud of it, it's a mature album. Really it's the first day of my new life so to speak as being a hip hop artist.
TTAD: So what are some of the things you've done, I know you went and made some videos to hype it up, what else?
PROSEED: Well prior to this storm I was in the process of doing the whole cd baby thing, so I'm doing digital distribution that way. As far as other things it's really a word of mouth social networking. Then for the show we have coming up the 27th I'm gonna do small budget for a Reverbnation promoted thing and to try to an ad trying to get the whole promoted blanket. Which is them hitting up Youtbue, they hit up Facebook, and try to promote the show for a week. That's the other thing that I've learned, and this is partly my fault, and it's also party the whole shift in the music industry. When I started out there wasn't a Facebook, there wasn't stuff like that. That's the whole learning process right there. The fact that micro-marketing is where it's at now. You don't spend thousands of dollars to get it in print based media, you spend tens and hundreds of dollars if that to just get word of mouth and spread it like wild fire like that. The other stuff does not work, you need to aggregate what you doing in multiple places.
TTAD: When we filmed "Depth in Shallows", you were like thaw worlds biggest nancy boy, with like walking around the steps and stuff. What did you do your entire childhood? Did you have any hobbies that involved the out doors?
PROSEED: (laughs) That's funny dude, my friend is always making fun of me for that. He's actually tearing down a den for an old lady, and his mother actually asked him who can he get to help, she said, "what about Derek?" He said, "nah mom, nah, he's not really the laborist type." I get made fun of all the time for that. I dunno man, I mean we had a farm, my grandfather had a farm up in the Meadville area. We still have land up there but outside of that, no I guess I was never an outdoorsy person. I was a boy-scout for a little bit.
TTAD: How far did you get?
PROSEED: Oh not far. It probably wasn't past 5th or 6th grade. Definitly wasn't past grade school.
TTAD: Yo your child hood group Solid Ground Entiertainment, you're about to be last of the Mohicans. You hear Kid A is hanging it up?
PROSEED: I know man, but you know what, I don't honestly believe he's hanging it up. He goes through these depressing stages and then he comes back, He's said stuff like this in the past I think. Maybe not as blatant and as explicit, but I don't think he's gonna hang it up. He just needs something to re-inspire him.
TTAD: How much more you think you got in you? You're about to be done with school pretty soon right?
PROSEED: I'm done with school. I got my masters last spring. I'm working with kids in a school district out my way, it's in an after school setting. But hanging it up man, that's not soon. I'm definitely at my point where I'm like, "man, I'm getting tired of this. " But every artist has probably gone through that, especially when you're not receiving the attention you think you deserve. But at the end of the day I'm still doing it because it's fun, and I'm still doing it because it's fulfilling to me, and it's art and I always wanna do something art related. So hanging it up, I'm not ready to do that, man. Especially with this album, I'm so confident with this album. Especially if the right ears hear it, it's gonna spread a heck of a lot more than anything I've ever done in the past in the past. I'm not saying I'm gonna blow up with this. But I think it's finally gonna hit something. It's hopefully gonna spread through blogs and everything. I'm trying to get into podcasts, of course I'm not trying to get it on commercial radio or anything like that but I'm trying to make some impact this time around.
TTAD: What are your goals for this album, it seems like you're pouring a lot into this album, what do you expect out?
PROSEED: to be brutally honest with numbers, I'd like to see can I do 200 cds within a year. Can I do 400 downloads within a year, and a good chuck of that is something with payment. With Bandcamp I'm doing the pay what you want price on it. It's a small goal, but to be honest I've never hit that in the past. I put 1000 cds out with "Quintessential" and I have 7 or 8 boxes with dozens of copies in my parents den.
TTAD: Are you gonna do a lot more shows to try and get it out?
PROSEED: Well to do shows, I wanna do outside of the city. They been talking to me in Fortified PhonetX about a bi-monthly thing, but I don't like the idea. Not to ids their idea, but I wouldn't like the idea of doing a bi-monthly. I think you really soak up quickly the turn out of doing something like that. I think I would be more effective in Pittsburgh if I did a show every 3 or 4 months.
Yeah, I wanna do shows do shows outside of this city. It doesn't have to be large cities, I'm doing a show in Erie in May. I wanna go back out to Youngstown, I did a show there last May. I'm down to shows I just don't wanna do a show once every month in the city of Pittsburgh and see the same 15 faces. That's really where you have to take it if you're gonna get anywhere. And I know you been doing that a lot, you been grinding on the shows going all over the place. And that's really what it takes man. But the fact that you gotta go on this one month tour, I'm not sure if that for one, is absolutely necessary for everyone, and two it's frankly not feasible for me. I have a full time job. But I'm more than happy to go out on the weekend and drive a couple hours out. There's plenty of people in PA and it's surrounding cities and states.
TTAD: What's up Surface Level Records, that's something you started with FPX right?
PROSEED: Yeah, I'll be the second release out on that label. Honestly it's still not officially a label. I'm gonna do trademark and start out with that for protection purposes and because it's kind of cheap to do it that way. But yeah I'd like to see that as a slow road long term sort of a thing man. If there is ever a time when I hang it up maybe it will be the time when I decide to do something else but still related to the music. When I'm helping some younger act get their music out, publish it or something like that. Yeah, that's a learning process too. Everyone has their logo and their name, but not everyone has the logistics down on what really makes a label. And I think we're all kind of on the same page in working towards that. And trying to create brand, because once you create a brand you create that label and you create that name. And like everything else, your combing networks, your combining the peoples you've reached, and that's a sure shot way of growing the audience as well.
Proseed
http://www.musicbyproseed.com
https://www.facebook.com/musicbyproseed/
https://soundcloud.com/musicbyproseed
@musicbyproseed
interview by Cody Jones/Stillborn Identity
https://www.facebook.com/stillcody
stillbornidentity.bandcamp.com/
https://soundcloud.com/stillborn-identity
http://www.facebook.com/pages/Stillborn-Identity/154438521280723
https://www.youtube.com/user/stillcodentity
@CodyJonesSTLBRN
Showing posts with label Pittsburgh. Show all posts
Showing posts with label Pittsburgh. Show all posts
Wednesday, March 12, 2014
Monday, March 4, 2013
Mini Ramp sesh @ Printshop
I found this gem of a video Rob Starr made from winter of 2011. I don't know if I've ever been to a session at that ramp that Misfits haven't been playing.
Support Pittsburgh's first ECO print shop, Pure Screen Printing started by Henry Panza
Tuesday, October 23, 2012
Thursday, March 8, 2012
The Deadly Scribes - The Situation
Pretty much from 10th or 11th grade until a few months ago I had been working at Head Board Shop, a skate shop in Pittsburgh. I must admit it was a pretty perfect job for a full time slacker like myself. Watch skate videos during the day shifts, drink beer during the night shifts, and although I'm not much of a smoker, smoke in the basement after I closed just because I could.
During the last winter I worked there business had been pretty slow. To the point where I decided to take the initiative upon myself to sort through the clutter of former employee's left behind cds, and promotional cds people had dropped off over the years and sell them to The Record Exchange to make a little bit of extra revenue for the store. I was carefully sifting out the promo cds where the bar codes had been punched out, when I stumbled across this gem, The Deadly Scribes release The Situation.
The cd had come out long before I had started getting my feet wet in the Pittsburgh rap scene, but I knew of the legacy Dos Noun and any of his work had left behind. So needless to say this cd didn't go to the the pile to sell, nor did it stay in the store copy pile, instead I nonchalantly slid it into my back pack, and totally forgot about the project I started. As I always did at the skate shop while trying to do a good deed.
A few weeks later I saw Dos at a show and in a drunken state of excitement I was able to walk directly up to him, interrupting the conversation he was having with his girlfriend, and told him about my find. He casually congratulated me on my discovery and told me, "...that cd and 5 bucks might get you a beer..." I'm still not certain what this expression meant. Especially considering I won't but a beer if it costs over $2.50(unless it's a 24 ounce). After all how could I afford to while working at a skate shop since 2004.
The Deadly Scribes - The Situation
During the last winter I worked there business had been pretty slow. To the point where I decided to take the initiative upon myself to sort through the clutter of former employee's left behind cds, and promotional cds people had dropped off over the years and sell them to The Record Exchange to make a little bit of extra revenue for the store. I was carefully sifting out the promo cds where the bar codes had been punched out, when I stumbled across this gem, The Deadly Scribes release The Situation.
The cd had come out long before I had started getting my feet wet in the Pittsburgh rap scene, but I knew of the legacy Dos Noun and any of his work had left behind. So needless to say this cd didn't go to the the pile to sell, nor did it stay in the store copy pile, instead I nonchalantly slid it into my back pack, and totally forgot about the project I started. As I always did at the skate shop while trying to do a good deed.
A few weeks later I saw Dos at a show and in a drunken state of excitement I was able to walk directly up to him, interrupting the conversation he was having with his girlfriend, and told him about my find. He casually congratulated me on my discovery and told me, "...that cd and 5 bucks might get you a beer..." I'm still not certain what this expression meant. Especially considering I won't but a beer if it costs over $2.50(unless it's a 24 ounce). After all how could I afford to while working at a skate shop since 2004.
The Deadly Scribes - The Situation
Wednesday, February 29, 2012
Garfield Artworks 1-19-2012 with Stillborn Identity, 30 Realm, Plots, and GINO
Holy shit I'm slow at updating this, but considering no one checks it I guess it doesn't matter. This show happened and I have some footage of it. It was a pretty rough start, it was one of the first days it snowed bad. The show got cancelled because of weather, then out of no where like 15 people showed up despite the fact. It was a small crowed but everyone ripped it anyways.
I couldn't figure out how to post Plots video of him doing Bravado at the show because I'm apparently stupid
Plots (of The 1's and 2's) did a set with Ferg. He did a bunch of songs off So Social because it was my first time going to a show in Pittsburgh for a while and he knows I dig on that album. Indaglo (of The 1's and 2's) came up for a few tracks.
Plots and Indaglo doing Bastard Child...
I feel like The 1's and 2's could be the next group to blow up out of Pittsburgh. They get all sorts of well deserved hype, and I'm way more into them than the last few clowns to blow up from this area. With that in mind it's weird that no one seems to notice Plot's solo stuff as much even though it's equally as good and he's been doing it for longer. But what the hell do I know.
Gino doing an acapella
GINO is by far the most talented rapper in Pittsburgh. He's totally slept on, but it's only a matter of time till everyone notices. He just got out of the army so he hasn't been playing shows for to long in the area. Once he puts out a mixtape every half-assed rapper is fucked.
30 Realm held it down. Totally solid dudes/dudets. I've only met them a few times but I'm into it.
I(Stillborn Identity) don't remember much about my set. Which usually means I was drunk, but with the roads being as bad as they were, and my car being uninsured and uninspected I didn't want to take anymore risks than I had to and stayed dead sober. My set probably still sucked though.
I couldn't figure out how to post Plots video of him doing Bravado at the show because I'm apparently stupid
Plots (of The 1's and 2's) did a set with Ferg. He did a bunch of songs off So Social because it was my first time going to a show in Pittsburgh for a while and he knows I dig on that album. Indaglo (of The 1's and 2's) came up for a few tracks.
Plots and Indaglo doing Bastard Child...
I feel like The 1's and 2's could be the next group to blow up out of Pittsburgh. They get all sorts of well deserved hype, and I'm way more into them than the last few clowns to blow up from this area. With that in mind it's weird that no one seems to notice Plot's solo stuff as much even though it's equally as good and he's been doing it for longer. But what the hell do I know.
Gino doing an acapella
GINO is by far the most talented rapper in Pittsburgh. He's totally slept on, but it's only a matter of time till everyone notices. He just got out of the army so he hasn't been playing shows for to long in the area. Once he puts out a mixtape every half-assed rapper is fucked.
30 Realm held it down. Totally solid dudes/dudets. I've only met them a few times but I'm into it.
I(Stillborn Identity) don't remember much about my set. Which usually means I was drunk, but with the roads being as bad as they were, and my car being uninsured and uninspected I didn't want to take anymore risks than I had to and stayed dead sober. My set probably still sucked though.
Monday, December 19, 2011
Jack Wilson - Jack Tar
A while ago current Baltimore(formerly Pittsburgh) resident Jack Wilson released Jack Tar. Not sure who produced this cd because I'm slacking on my research, but whoever it is did a great job sampling 1990's "pop" songs from artists like; Radiohead, Oasis(my favorite sample), Blur, and more. This is absolutely free because the production is absolutely illegal, so never mind those pesky "donate" buttons that guilt trip you into donating 20 cents to the artist just so you can sleep better at night. Jack has never been shy on putting out media and rarely bothers with trying to make a profit off of it. If anything he tries to break even every once in a while because that's really all an underground rapper can hope for.
Jack was one of the first and most helpful mc's I met in Pittsburgh when I was starting rapping. He put me on a handful of shows, helped me record a few tracks, and offered me insightful advice that always came from his personal experience.
A while ago I got to open for Vast Aire(of Cannibal Ox) thanks to Jack and his short lived crew Crash Course Collective, alongside EMS(now Kid A).... and I completely bombed it. Hands down my worst performance at the biggest show I've played to date. After my set when I was getting down on myself alone at the bar, Jack came over and told me that it wasn't a big deal, that all that would matter in the future was that I played with Vast Aire. He said all I could do at that point was learn from my mistakes and try not to make them again. Although playing a show that poorly may be a minor set back it's no reason to change my stage name or worse yet quit rapping. At the time I had trouble believing it, then Jack told me how a few years ago at Mr. Smalls when he opened for Atmosphere he had a similar night. Years later all that people remember(if they remember anything) was that he opened for Atmosphere. That advice may seem a bit pessimistic but none the less it was helpful at the time.
Jack Tar for free
bandcamp
facebook
soundcloud
Jack was one of the first and most helpful mc's I met in Pittsburgh when I was starting rapping. He put me on a handful of shows, helped me record a few tracks, and offered me insightful advice that always came from his personal experience.
A while ago I got to open for Vast Aire(of Cannibal Ox) thanks to Jack and his short lived crew Crash Course Collective, alongside EMS(now Kid A).... and I completely bombed it. Hands down my worst performance at the biggest show I've played to date. After my set when I was getting down on myself alone at the bar, Jack came over and told me that it wasn't a big deal, that all that would matter in the future was that I played with Vast Aire. He said all I could do at that point was learn from my mistakes and try not to make them again. Although playing a show that poorly may be a minor set back it's no reason to change my stage name or worse yet quit rapping. At the time I had trouble believing it, then Jack told me how a few years ago at Mr. Smalls when he opened for Atmosphere he had a similar night. Years later all that people remember(if they remember anything) was that he opened for Atmosphere. That advice may seem a bit pessimistic but none the less it was helpful at the time.
Jack Tar for free
bandcamp
soundcloud
Sunday, November 20, 2011
Plots - So Social
Don't let the photo booth cover art fool you, this album bumps. Plots, originally of Philadelphia now residing in Pittsburgh, Pa put this out in 2010 as his first hip hop release(excluding the mixtape titled The Struggle he did under the name Rich Anthony) Since this he's put out plenty of material, both solo and with his crew The 1s and 2s, but So Social stands out to me as my favorite release of his yet. With brutally honest lyrics over mostly Doomshark beats it's hard not to take something from this release.
this ep is only online for free so download it for free
then buy something from the 1s and 2s
and check his facebook out for show updates and new releases
this ep is only online for free so download it for free
then buy something from the 1s and 2s
and check his facebook out for show updates and new releases
Tuesday, March 29, 2011
HW, Jesse Dangerously, Shane Hall, Fortified Phonetx, Proseed, Stillborn Identity

HW
Jesse Dangerously
Shane Hall
Proseed
Fortified PhonetX
Stillborn Identity
Here is some lofi proof that this show went down. Proseed killing it.
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